‘Spider-Man: Far From Home’ Takes Off With $111M Overseas; ‘Toy Story 4’ Nears $500M WW – International Box Office

Refresh for latest…: Sony/Marvel’s Spider-Man: Far From Home came swinging into China, Japan and Hong Kong this weekend to nab an early $111M at the international box office. The launch sets the webslinger 45% over Spider-Man: Homecoming and 21% above Captain Marvel in the like-for-likes. The opening result is slightly higher than what the industry was seeing pre-weekend, which then increased as the markets saw strong play-through.

China was robust at $98M for the No. 4 all-time superhero bow behind Disney/Marvel’s Avengers: Endgame and Avengers: Infinity War, and Sony/Marvel’s Venom. Social scores are strong in the Middle Kingdom and next weekend sees little in the way of competition with local movie The Eight Hundred off the release schedule. Currently, FFH is above Homecoming by 46% and Captain Marvel by 17% in the market where the webbed wonder excels.

Japan is also a big hub for the character and welcomed the Tom Holland follow-up with the 2nd best superhero debut of the last decade (behind Endgame). In Hong Kong, European vacation Spider-Man flew in with the 5th biggest FSS opening of all time and the best ever for a standalone superhero movie as well as Sony’s top launch ever.

There’s joy on the Culver City lot today as the early dates rep a strong start for Far From Home, which picks up after the events of Endgame. The Hong Kong bow offers a taste of how South East Asia is expected to respond when Spidey gets there later this week, and the current percentage increases over Homecoming and Captain Marvel are encouraging. The fact that the movie will land in Europe when the weather has returned to regular summer temperatures after a stifling heatwave, is also a bonus.

The Jon Watts-directed Far From Home is primed for release throughout the rest of the world in the next frame. Australia goes tomorrow followed by a week-long rollout pattern that includes domestic. There is every possibility that FFH is in the $500M global neighborhood through next Sunday.

In other new play this session, Warner Bros/New Line’s Annabelle Comes Home scared up $45M from 63 markets including No. 1s in 22. The latest in the doll series is tracking ahead of Annabelle (+6%) and The Conjuring (+55%) in like-for-likes. Globally, the start is $76.2M.

Danny Boyle’s Beatles-inspired fantasy music romance Yesterday opened in 30 overseas markets this session, grossing $7.7M for a global debut of $24.7M. On a like-for-like basis, the Universal/Working Title pic is in line with Me Before You and above The Best Exotic Marigold Hotel (+18%), The Intern (+31%) and About Time (+67%).

In its sophomore frame, Disney/Pixar’s Toy Story 4 added $80.6M from overseas for a $259.6M cume in 45 material markets repping 76% of the offshore footprint. The global cume, after just 11 days, is closing in on $500M and with several majors still to release. While a heatwave gripped France and other parts of Europe this weekend, TS4’s regional drop was 37%.

Also from Disney, Aladdin’s surprising performance continues with a cume now of $568.3M overseas and $874.M globally. Japan ($66.6M) and Korea ($60.2M) have been major standouts on the Will Smith-starrer. This weekend it reclaimed the No. 1 spot in the latter while overall, the international drop was just 30%.

In milestones, Lionsgate’s John Wick: Chapter 3 – Parabellum shot past $300M worldwide with a strong start in Korea that came in 251% above the lifetime of John Wick: Chapter 2.

Disney/Marvel’s Avengers: Endgame is now at $1.92B internationally for a global total of $2.76B which includes this weekend’s Bring Back event at domestic and select offshore cinemas.

Breakdowns on the films above and more are being updated below.


Spider-Man: Far From Home
Columbia Pictures

Spider-Mania kicked off this weekend in three early markets with China, Japan and Hong Kong grossing $111M on 33,900+ screens. The start for the Sony/Marvel pic is above where the industry had it ahead of the weekend in what has been a challenging time at the box office, particularly in China. But first numbers out of the Middle Kingdom on Friday, along with strong social scores, propelled the webbed wonder to a promising debut that is 45% above Spider-Man: Homecoming and 21% over Captain Marvel, the standalone superhero movie that acts as the other bookend to Avengers: Endgame.

Signs point to Far From Home being in the $500M neighborhood through next Sunday when it will have the benefit of all other global markets save Italy which releases July 10.

The three-day China debut this weekend was $98M for the 7th best studio bow and the No. 4 all-time superhero launch behind Disney/Marvel’s Avengers: Endgame and Avengers: Infinity War, and Sony/Marvel’s Venom. This is Sony’s 2nd best start ever in the market. Currently, FFH is above Homecoming by 46% and Captain Marvel by 17%.

Working in Far From Home’s favor, beyond the built-in Middle Kingdom love there is for the character, are the social scores and word of mouth, as well as the fact that Better Days, a local movie that was expected to have great potential, was pulled off its June 28 date at the last minute last week. That this is also the first MCU title after Endgame in the Marvel-loving market is also a clear factor. Holland, Watts and Jake Gyllenhaal also visited Beijing pre-bow and were sporting in their promotional efforts.

Homecoming debuted in China in 2017, about two months after the majority of the world, and made $67M in its first weekend at today’s rates. The Middle Kingdom final was $116.3M (unadjusted) and Far From Home will well exceed that. There was some early concern that Homecoming had less resonance with local audiences because the U.S. high school experience doesn’t fully translate, but Far From Home is bucking that.

China was nevertheless the biggest overseas market on Homecoming as well as the previous two Spider-Man movies. It is also the top MCU hub with Endgame having taken in a staggering $629M there to become the highest-grossing import ever. Far From Home picks up following the events of Endgame as Spidey must step up to take on new threats in a world that has changed forever. Zendaya, Samuel L Jackson, Jon Favreau, Marisa Tomei, Jacob Batalon and Cobie Smulders also star.

Along with China, Japan took in an amazing $9.4M, making it the 2nd biggest superhero movie launch in the last decade behind only Endgame. There is another week of clear play ahead in Japan. Hong Kong kicked off its run with a 3-day total of $3.8M, which represents the 5th biggest FSS opening of all time, the best-ever for a standalone superhero film, and the best-ever for Sony.

In IMAX, FFH grossed $12.3M across the three debut markets. The $10.8M from 620 China screens set a new record for the franchise and for Sony as well as being the 4th best bow in the MCU.

In Japan FFH snared $1.1M from 31 screens for the top franchise opening, Sony’s best and the all-time 5th best for the format. In Hong Kong, the film earned $300K from 5 screens, also a franchise and Sony best.



Gary Dauberman’s feature directorial debut sent shivers to 63 overseas markets this weekend, collecting $45M on about 15,520 screens. The Warner Bros/New Line doll landed No. 1s in 22 of the debuts while there are still 17 markets to come in the next weeks. Including the domestic debut, the global launch is $76.2M.

So far, Annabelle Comes Home is running above the original Annabelle by 6% and over the original The Conjuring by 55%. Annabelle: Creation is the highest grossing in the scary doll series overseas with $204.4M unadjusted while The Nun leads the overall Conjuring universe at $248M.

In Asia, the opening weekend is tracking on par with The Conjuring 2, 31% over Annabelle and 80% over the original Conjuring. In Latin America, it’s boasting the best opening of a horror title this year. And, in Europe/Middle East/Africa, the homecoming is about on par with Annabelle: Creation and above the other comps.

Mexico was the top launch this weekend at No. 2 with $6.9M on 2,660 screens for 6% over Annabelle. Indonesia scored a No. 1 debut of $5M on 1,095 screens to best all Conjuring titles save The Nun. India follows with $2.6M on $1,650 screens to more than double Annabelle. Russia came in at a No. 1 start of $2.5M on 1,880 to beat all Conjuring pics outside Nun. Rounding out the Top 5 is Malaysia and a No. 1 bow of $2.2M from 480 screens and on par with Creation.

Further market totals to date include Vietnam ($1.9M), Brazil ($1.8M), Thailand ($1.6M), Taiwan ($1.5M), Colombia ($1.4M) and Australia ($1.4M). Italy and Germany are next to bow in the coming frame.


Universal Pictures

Danny Boyle’s Beatles-inspired fantasy opened in 30 overseas markets this session, grossing $7.7M for a global debut of $24.7M. On a like-for-like basis, the start is in line with Me Before You and above The Best Exotic Marigold Hotel (+18%), The Intern (+31%) and About Time (+67%).

Scriped by Richard Curtis and starring Himesh Patel and Lily James, the Universal/Working Title music romance was No. 2 in the UK where Toy Story 4 is dominating. The film bowed to $2.8M at 642 locations to land Boyle’s 3rd best start ever and track in line with Marigold Hotel and James-starrer Baby Driver. The actors and Boyle recently appeared on The Graham Norton Show while a London premiere was held the same week that European exhibitors got a sneak of the movie at CineEurope.

Australia was the next best bow with $2.52M at No. 2 and from 276 sites. This is the biggest opening for Boyle and tracking in line with Bridget Jones’s Baby and above La La Land.

In the Netherlands, which has been suffering from the heatwave, the film was No. 3 with $419K from 149 locations, also tracking above La La Land and Curtis’ About Time.

The film fared well versus its comps in Europe, though all play was affected this weekend by the sky-high mercury. There are many markets still on deck for the counterprogrammer to summer’s mega-tentpoles. They include France, Spain, Germany, China, Brazil, Mexico, Russia, Korea, Italy and Japan. Korea, where Curtis’ movies over-index, will be one to keep an eye on in September.

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